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[Portfolio]Foto Iconic Dari Fotografer Rock And Roll Henry Diltz

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Henry Diltz adalah seorang fotografer rock n roll yang luar biasa tidak seperti yang lain. Diltz, anggota pendiri Modern Folk Quartet, sama betahnya dengan musisi dalam tur, karena ia adalah sejarawan visual dari empat dekade terakhir musik populer. Hubungan yang ia kembangkan dengan teman-teman musisinya, bersama dengan seringainya yang rendah hati dan sering tertawa, memungkinkannya untuk menangkap bidikan candid yang menyampaikan perasaan langka tentang kepercayaan dan keintiman dengan rakyatnya.

Untuk Diltz, foto-foto itu dimulai dengan kamera Jepang bekas seharga $ 20 yang dibeli saat tur dengan Modern Folk Quartet. Ketika MFQ bubar, ia memulai karier fotografinya dengan sampul album untuk The Lovin ‘Spoonful. Terlepas dari kurangnya pelatihan formal, Diltz dengan mudah menenggelamkan dirinya di dunia musik: jalan, pertunjukan, humor, kesadaran sosial, psychedelia, waktu naik turun.

Selama lebih dari 40 tahun, karyanya telah menghiasi ratusan sampul album dan telah ditampilkan dalam buku, majalah, dan surat kabar. Gaya artistiknya yang unik telah menghasilkan esai fotografi yang kuat dari Woodstock, The Monterey Pop Festival, The Doors, Crosby, Stills, Nash & Young, Jimi Hendrix dan sejumlah seniman legendaris lainnya. Diltz melanjutkan karirnya yang istimewa, menghasilkan foto-foto baru dan bersemangat yang menginspirasi penggemar rock n ‘roll di masing-masing dari kita. Henry Diltz adalah mitra di, dan secara eksklusif diterbitkan dan diwakili oleh Galeri Hotel Morrison.

“Ini bukan sejarah, ini bukti!”

  • Glenn Frey, Eagles

“Aku drummernya, kamu fotografernya, sesederhana itu.”

  • Ringo Starr

“Di awal karirnya, Henry menguasai seni menangkap momen. Apa yang telah dia buktikan selama beberapa dekade adalah seni ilusif dalam menangkap kehidupan ”

  • Gerry Beckley, Amerika

Diltz juga memotret sampul majalah ikonik dan terus bekerja hari ini, tetapi ketika ia berbicara baru-baru ini kepada sekelompok 20-an siswa di Berklee College of Music, jelas pekerjaan awalnya masih beresonansi. Dia merenungkan pekerjaan awal dengan Here & Now’s Robin Young. Saat Anda mendengarkan percakapan mereka, Anda dapat mengikuti gambar di bawah ini.

Graham Nash, Stephen Stills and David Crosby, 1969. They decided to be Crosby, Stills & Nash (CSN) after this photo shoot was taken. When they all went back to retake the photos, the building had been torn down. This became their first album cover. (Henry Diltz)
Graham Nash, Stephen Stills and David Crosby, 1969. Mereka memutuskan untuk menjadi Crosby, Stills & Nash (CSN) setelah pemotretan ini diambil. Ketika mereka semua kembali untuk mengambil kembali foto-foto itu, bangunan itu telah dirobohkan. Ini menjadi sampul album pertama mereka. (Henry Diltz)
Joni Mitchell, 1970. This photo was taken in Laurel Canyon, a neighborhood located in the Hollywood Hills region of Los Angeles, California. (Henry Diltz)
Joni Mitchell, 1970. This photo was taken in Laurel Canyon, a neighborhood located in the Hollywood Hills region of Los Angeles, California. (Henry Diltz)
Neil Young, 1971. He's pictured at his northern California ranch with his dog. (Henry Diltz)
Neil Young, 1971. He’s pictured at his northern California ranch with his dog. (Henry Diltz)
Neil Young, 1975. (Henry Diltz)
Neil Young, 1975. (Henry Diltz)
Paul and Linda, 1971. This photo ended up on the cover of Life Magazine. Life was doing an article on Paul and they wanted a photo of The Beatles, but Paul wanted a photo of himself because he had just gone solo. Diltz knew Linda McCartney when both were photographers in New York. She called him to take some pictures of Paul and her for the songbook for Ram, but they liked this photo so much that they sent it to Life for the cover. (Henry Diltz)
Paul and Linda, 1971. Foto ini berakhir di sampul majalah Life. Hidup sedang menulis artikel tentang Paul dan mereka menginginkan foto The Beatles, tetapi Paul menginginkan foto dirinya karena dia baru saja solo. Diltz mengenal Linda McCartney ketika keduanya adalah fotografer di New York. Dia memanggilnya untuk mengambil beberapa foto Paul dan dia untuk buku lagu Ram, tetapi mereka sangat menyukai foto ini sehingga mereka mengirimnya ke Life for the cover. (Henry Diltz)
Richard Pryor, 1968. This photo was the front cover of comedian Richard Pryor’s first album, which he titled "Richard Pryor." (Henry Diltz)
Richard Pryor, 1968. This photo was the front cover of comedian Richard Pryor’s first album, which he titled “Richard Pryor.” (Henry Diltz)
The Eagles, 1972. The band staged a “Desperado” photo shoot in Joshua Tree for their first album. This action shot was the back cover of that album. In the documentary "History of the Eagles," Glenn Frey revealed that the band were all on peyote when the pictures for the album cover were shot. (Henry Diltz)
The Eagles, 1972. Band ini melakukan pemotretan “Desperado” di Joshua Tree untuk album pertama mereka. Bidikan aksi ini adalah sampul belakang album itu. Dalam film dokumenter “History of the Eagles,” Glenn Frey mengungkapkan bahwa band semua memakai peyote ketika gambar untuk sampul album diambil. (Henry Diltz)
The Doors, 1969. Ray Manzarek and his wife Dorothy were driving through downtown L.A. when they saw Morrison Hotel. When the band went to shoot photos there, the guy behind the desk told them they needed the owners permission, and that he was out of town. So, Diltz and the band shot photos in front of the window and when the guy left the desk they ran inside and got this photo. (Henry Diltz)
The Doors, 1969.Ray Manzarek dan istrinya Dorothy sedang berkendara melalui pusat kota LA. ketika mereka melihat Hotel Morrison. Ketika band pergi untuk mengambil foto di sana, pria di belakang meja mengatakan kepada mereka bahwa mereka memerlukan izin pemilik, dan bahwa dia berada di luar kota. Jadi, Diltz dan band mengambil foto di depan jendela dan ketika pria itu meninggalkan meja mereka berlari ke dalam dan mengambil foto ini. (Henry Diltz)
Jimi Hendrix, 1969. Jimi Hendrix playing at Woodstock. “I got to stand on the stage: it was real bizarre and psychedelic,” Diltz remembers. (Henry Diltz)
Jimi Hendrix, 1969. Jimi Hendrix playing at Woodstock. “I got to stand on the stage: it was real bizarre and psychedelic,” Diltz remembers. (Henry Diltz)
James Taylor, 1969. This iconic photo of James Taylor was the album cover for "Sweet Baby James." The photo shoot took place at Cyrus Faryar's farm, which Diltz describes as a creative commune that was out in the hills in L.A. Diltz was told by Taylor’s manager to just take black and whites, but Diltz liked the image of Taylor’s blue work shirt against the barn, so he snapped the some color photos. The color photo ended up being chosen for the album cover. (Henry Diltz)
James Taylor, 1969. Foto ikonik James Taylor ini adalah sampul album untuk “Sweet Baby James.” Pemotretan berlangsung di pertanian Cyrus Faryar, yang Diltz gambarkan sebagai komune kreatif yang berada di perbukitan di LA Diltz diberitahu oleh manajer Taylor untuk hanya mengambil hitam dan putih, tetapi Diltz menyukai gambar kemeja kerja biru Taylor terhadap gudang, jadi dia mengambil beberapa foto berwarna. Foto berwarna akhirnya dipilih untuk sampul album. (Henry Diltz)
Linda Ronstadt, 1968. Ronstadt was a musical “chameleon.” She won numerous awards and experimented in country, rock, jazz and opera. This photo was taken in Santa Monica, Calif. (Henry Diltz)
Linda Ronstadt, 1968. Ronstadt was a musical “chameleon.” She won numerous awards and experimented in country, rock, jazz and opera. This photo was taken in Santa Monica, Calif. (Henry Diltz)







sumber:wbur.org morrisonhotelgallery.com
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